once the selection is active (you see the ' marching ants ' around the selection), open the refine edge window by right clicking the selection. you can use a marquee, the magic wand, or the lasso tool. make a selection in your file in photoshop. As with any masking in Photoshop, you're likely to need to perform some additional work on the layer mask to clean things up a bit.The refine edge tool is available from both the photoshop menu bar and the right click context menu.

Click the OK button, and youРІР‚в„ўre done.Р”В«ack in Photoshop, add a new layer filled with color, or composite the image into your background. I almost always use New Layer with Layer Mask. And then decide how you want the final image output. The Decontaminate Colors checkbox replaces any color fringing with the color of fully selected nearby pixels. I used a low setting for all of these in hopes of preserving as much of the dogsРІР‚в„ў fur as possible.Р”Р‡inally, use the Output Settings subpanel as you did in Refine Edge. The Global Refinements subpanel includes sliders for smoothing, feathering, contrast, and shifting the edge in or out. Once your mask edge is looking good, itРІР‚в„ўs time to make refinements to the edge. Using the Brush tool in Select and Mask you clean up any other problems you see when you place the image on another background, zoom in, and navigate around. Pressing the opt/alt key with Quick Selection active switches from adding to the selection to subtracting from the selection. I used the Quick Selection to roughly outline the dogs. Use the appropriate selection tool to make a selection. One of the advantages of the Select and Mask taskspace is having these tools readily available together. Within the Select and Mask taskspace there are several familiar Photoshop selection tools available: Quick Selection (the topmost icon) as well as the Lasso and Polygonal Lasso tools nested together in the fourth icon down.

There are a number of ways to open the Select and Mask taskspace: choose Select > Select and MaskРІР‚В¦ select any selection tool and click the Select and MaskРІР‚В¦ button in the Options bar if there is a layer mask on the layer, click Select and MaskРІР‚В¦ in the Properties panel of the layer mask or, press cmd+opt+R (Mac) or ctrl+alt+R (Windows). While there are a number of ways to open Select and Mask, whenever a selection tool is selected, the Select and Mask button is available in the toolbar. With each new tool or set of tools that Adobe introduces, particularly if we lose a tool with which we are familiar, there are bound to be issues.Р’В So letРІР‚в„ўs take a look at how we should be using Select and Mask before forming any conclusions. Select and Mask is designed to provide РІР‚Сљthe same functionality as Refine Edge in a streamlined way,РІР‚Сњ according to Adobe. The major new feature, Select and Mask, is introduced as the replacement for the Refine Edge panel. Other changes in the 2017 release, such as the new search panel (cmd/ctrl+F), the design and Adobe Stock templates, support for SVG Open Type fonts, and new Creative Cloud Libraries capabilities seem more aimed for new users and designers. (DonРІР‚в„ўt worry, I have a solution for you.) The other addition, which can be quite useful, is the ability to adjust each eye independently when using Liquify > Face-Aware Liquify > Eyes. And one of these, Select and Mask, discussed in detail in the tutorial below, has become the subject of considerable controversy.

Only two additionsР’В in the new release are truly important for photographers familiar with Photoshop. With the Photoshop CC 2017 release, both camps seem to have found something to discuss. Photographers with the Creative Cloud subscription for Adobe Photoshop anticipate, and sometimes dread, the big new-name version releases thatР’В Adobe engineers have prepared.

Photoshop cc 2017 refine edge